Saturday & Sunday

June 15 & 16

10 AM - 6 PM

Class Size Max: 4

Liquid emulsion allows artists to apply light sensitive silver gelatin to various surfaces, offering a distinct control over how an image can be presented or read. This two-day workshop introduces students of all experience levels to the magic of hand-applied silver gelatin printing. Through demonstrations and hands-on practice, students will first learn the basics of coating liquid emulsion to paper, and then move on to coating materials such as canvas, wood, glass plates, metal, or plastic. The basics of darkroom printing and chemical safety will be covered in addition to choices connected to emulsion application, artist hand, and media substrate. By the end of the weekend, participants will have a greater understanding of how to use liquid emulsion on a variety of surfaces and tailor applications to suit different ideas and concepts.

Students should bring their own black and white negatives to print from. Some digital negatives can be prepared before class by the instructor. Materials will be provided but students are encouraged to bring additional materials or objects to experiment printing on. Please note that there might not be time to experiment with all extra substrates. 

Tuition includes a $75 materials fee

If your desired tuition option is unavailable, please email info@penumbrafoundation.org and we will do our best to accommodate you. If the entire class is sold out, we can add you to the waitlist.

Images © Brittonie Fletcher and Penumbra Students

BRITTONIE FLETCHER (MFA) has a creative practice between the UK and the USA. In addition to teaching at Penumbra, Brittonie is a dedicated teacher at Stills Centre for Photography in Scotland, where she initiated their Alternative Process Program. She has taught elsewhere, including the Royal College of Art. Brittonie's work is published in books from Focal/Rutledge Press (including Christina Z Anderson's Salt book and Annette Goez's Cyanotype Toning of the same series) and Random House. Her work is exhibited and included in public collections and private international collections.