Martín Bollati (b. Buenos Aires, 1986) Visual artist, editor, and teacher. Founder and director of SED Editorial and ATLAS. He coordinates the workshops Editorial Gesture and Playing Against the Machine. His work investigates the relationship between photography and fiction, with a specific interest in the discursive capacities that exist at the margins of the photographic apparatus and its structure. He has published the following books: A Kind of Loop (Riot Books), La Forma Bruta (University of Cádiz), Vacant Dream State (280a), Para Describir una Flor (Raya Editorial), Ruinas Sin Título, Aguas Vivas, Texto Nazi, and Hermes/Unesco (SED Editorial). He has had solo exhibitions at the 3rd Beijing Photography Biennale in China; the Kirchner Cultural Centre in Buenos Aires, Argentina; Galería Cero in Madrid, Spain; and Galería Hydra in Mexico City; among others. In 2014, he was awarded the 11th Roberto Villagraz Scholarship to pursue a Master's degree in Conceptual Photography at EFTI. In 2017, his work as an editor was recognized with the award for Best Latin American Photobook at the Latin American Photography Colloquia in Mexico, and in 2018, together with the 280a collective, he won the Art Trail Tesla award at the Unseen Festival in Amsterdam. That same year, he was featured in the "Ones to Watch" issue of the British Journal of Photography.
https://martinbollati.com/

María Eugenia Cerutti (1974, Mendoza, Argentina)
Photographer and educator, with a solid trajectory in the exploration of memory and archives. She studied Communication Sciences at the Universidad de Buenos Aires and Photography at the Escuela Argentina de Fotografía and at Andy Goldstein’s school. She participated in portfolio review and critical workshops with Eduardo Gil, Tulio de Sagastizábal, and Agustina Triquell. She is currently pursuing a Master’s Degree in Image Studies and Photographic Archives at UNSAM (2025–2026). She obtained a Postgraduate Diploma in Politics of the Image, History, and Visual Culture (CLACSO) with a scholarship in 2024.

​She worked at the newspaper Clarín as a staff photographer for 17 years. She also collaborated with Infobae, La Nación, AP agency, Revista Crisis, and Anfibia, among others. She carried out research and curatorial work at the Department of Art of the Universidad Nacional de Hurlingham. Her work has been recognized both nationally and internationally, receiving numerous awards and grants throughout her career. Among the most distinguished are: First Prize at the Premio FOLA – Pampa Energía (2019); the Performative Journalism Grant from Revista Anfibia / Casa Sofía; a grant from the Fondo Metropolitano de las Artes y la Cultura; the Postgraduate Diploma in Politics of the Image: History and Visual Culture; Mecenazgo Participación Cultural Buenos Aires; the Andrés Di Tella Documentary Project Grant (UTDT); an Honorable Mention at the Photography and Human Rights Competition (Centro Cultural Haroldo Conti); and the FNPI Award from the Fundación Nuevo Periodismo Iberoamericano – Gabriel García Márquez.

​She has exhibited her work at Proa 21, FOLA, Universidad de San Antonio, Texas (USA), Fondo Nacional de las Artes, Museo de Arte Contemporáneo de Rosario, Centro Cultural Haroldo Conti, the Bienal de Fotografía Documental, and La Casona de los Olivera (2025), and she was selected for the ARTE X ARTE Award Selection in 2024 and 2025.
mariaeugeniacerutti.com

Ricardo Báez (1983) is a graphic designer, editor and art director dedicated to editorial design, exhibition design and cultural identity design; having a deep interest in the design, research and promotion of photobooks. www.ricardobaez.info/