PENUMBRA Members Gallery | JOHNNA ARNOLD


From Inside This Earth​ is a body of unique photographic C-prints made by enlarging individual  samples of used motor oil. Remarkably parallel in their timelines, I utilize one of the most pivotal  inventions of our time (photography) to investigate a similarly pivotal substrate (oil). In shining light  through a substance that is in effect captured light, I delight in the combination of these two  pivotal medias. A substance I’ve relied on all of my life but rarely see; it has transformed the way  we relate with the earth, as well as with each other. Millions of years ago plant matter full of sunshine was buried underground, where it slowly  transformed into a rich but toxic substance, hiding quietly beneath our feet. A hundred and fifty  years ago this substance transformed in human perception from a sticky mess to a  world-transforming product: Petroleum Oil. Today it is used to fuel our cars and heat our homes, it  is a base material for plastics, and it performs as an essential lubricant for internal combustion  engines. This quiet substrate empowers and impairs—toxic yet instrumental—it is the silent  life-blood of our Capitalocene. To create this work I gather small samples of used motor oil from local mechanics, labeling them  by the make, model, and year of car they were extracted from. I pour a thin layer of this oil on a  glass plate, putting it inside a photographic enlarger where a negative would usually go. The enlarger sends light through the plate and lens, onto the light-sensitive paper below. The paper chronicles details within this semi-viscous liquid; a complex substance transformed into landscapes, moonscapes, and seascapes for our consideration.  

My work revolves around human beings and the environments we build. Scientific materialism and  the industrial revolution fostered a belief that nature is comprised of simple physical matter,  devoid of spirit, soul or inner purpose. With this work, I push against this philosophy by  investigating the interconnectedness among built systems, nature, and our daily lives. I show the  beauty within the overlooked, persistent in my belief that an appreciation for the systems that  support us can cultivate awareness and change.
— Johnna Arnold


Johnna Arnold is an artist, photographer, educator and urban farmer based in Oakland, CA. Her  work revolves around human beings, the environments we build, and the ways these systems  affect our lives. Johnna’s recent projects include analog photograms made from used motor oil, a  participatory meditation project sponsored by the Oakland Museum of California, and a billboard  granted by the Tulsa Artist Fellowship. Trained as a photographer, she is currently creating analog  photograms from used motor oil, as well as a participatory photography project based on guided  meditation. The industrial revolution brought a belief that nature is physical matter, devoid of spirit  or inner purpose. Arnold’s work runs contrary to this philosophy by investigating the  interconnectedness between our perspectives on reality and the way we carry out our daily lives.   Johnna received her BA in Photography from Bard College in 1996, and her MFA from Mills College  in 2005. She currently teaches photography classes to graduate and undergraduate students at the  San Francisco Art Institute, and documents artwork for many excellent museums in the Bay Area.  Johnna has worked as an Artist-in-Residence at Banff Center for the Arts, Kala Art Institute, the  Vermont Studio Center, and RayKo Photography. She has exhibited at venues including the  Headlands Center for the Arts, San Francisco Camerawork, the Oakland International Airport, and  the San Francisco Arts Commission Gallery. Her work is a part of multiple public collections including Pier 24 in San Francisco and UNESCO in Paris, France. 

johnnaarnold.com


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