LUCA ACKERMAN studied photography at the Rhode Island School of Design, Massachusetts College of Art and earned a Bachelors degree from the School of the Art Institute of Chicago. Luca joined the staff at The Better Image® after graduating from FAMU in Prague, Czech Republic, with a Masters degree in Photograph Conservation. During his graduate studies he performed an internship at the National Archives of the Czech Republic, as well as having worked on projects for the National Technical Museum, National Film Archive, and several regional historical museums and institutions. Luca is an active black and white fine art printer, platinum printer and an occasional author of essays and articles on the history of photography.
GEOFFREY BERLINER is co-developer and the Executive Director of the Penumbra Foundation. A native New Yorker who was introduced to photography at an early age, his father was an artist, photographer and a public school teacher in New York City. His grandfather graduated from Cooper Union and went on to work for the New York Times as a photographer and photo retoucher. After leaving Harvard University with a Masters degree in religion, Geoffrey left academia to start his own business. After several years, the call of photography and especially large format and alternative photographic processes urged greater involvement in these practices.
STEVE COSSMAN is founder and director of Mono No Aware (est. 2007); a non-profit cinema-arts organization whose annual event exhibits the work of contemporary artists who incorporate live film projections and altered light as part of a performance, sculpture or installation. Steve’s first major work on film, TUSSLEMUSCLE, earned him Kodak’s Continued Excellence in Filmmaking award at F.L.E.X. and has screened at many festivals and institutions internationally. In 2013, he completed residencies at MoMA PS1’s Expo 1 and the Liaison of Independent Filmmakers of Toronto. He has been a visiting artist at Brown University, Dartmouth, the New York Academy of Art, Yale, SAIC, and UPenn. He currently lives and works in Brooklyn as a director, curator, visual artist, educator and activist.
HERNEASE DAVIS earned her M.F.A from the International Center of Photography - Bard College. Her current body of work uses photograms, cyanotypes, performance and craft to emphasize self-care through the artistic process. Hernease’s work was included in Photography Now 2016 at the Center of Photography at Woodstock, and will be included in On The Surface of Things at the Houston Center of Photography, an exhibition featuring photographers working with cameraless techniques. Hernease currently lives and works in Brooklyn, NY.
SAM DOLE earned his BFA in photography from School of Visual Arts where he received the Rhodes Award for Outstanding Achievement. Sam has been an intern and workshop assistant at CAP, studied 19th C photography with noted photo historian Matthew Isenburg and has attended workshops conducted by John Coffer at Camp Tintype in Dundee, NY where he was honed his technique with wet plate legends Will Dunniway and Claude Levet. Sam’s work has appeared in Shutterbug Magazine and the SVA Visual Arts Journal and exhibited in the 2012 SVA Mentors Show as well as first prize winner at the 2012 Soho Photo Gallery Alternative Process Show. http://cargocollective.com/samueldolephotography
LISA ELMALEH's work is an exploration of rural America. Using a portable darkroom in the back of her truck, Elmaleh photographs using the nineteenth century wet plate collodion process. Elmaleh is a West Virginia based photographer and educator at the School of Visual Arts in New York City. She has been awarded the Aaron Siskind Foundation IPF Grant, PDN’s 30, the Ruth and Harold Chenven Foundation Grant, the Tierney Fellowship, and The Everglades National Park Artist Residency. Her work has been exhibited nationally and internationally, most recently featuring her American Folk work as a solo show at the Appalachian Center, Berea College in Kentucky, and a group show, Imaging Eden: Photographers Discover the Everglades at the Norton Museum. Elmaleh’s work has appeared in Harper’s Magazine, PDN, and Rangefinder, among others.
DAN ESTABROOK has been making contemporary art for over twenty years using a variety of 19th-century photographic techniques, including calotype negatives, salt prints, gum bichromate and carbon. He balances his interests in photography with forays into sculpture, painting and drawing. Dan has exhibited widely and has received several awards, including an Artist's Fellowship from the NEA in 1994. He is also the subject of a documentary film by Anthropy Arts. He lives and works in Brooklyn, New York. danestabrook.com
JOY GOLDKIND currently resides in St. James, NY. She graduated from the Fashion Institute of Technology, NYC in 1963. She has exhibited in numerous venues across the country and internationally including a solo exhibition at the Museo Nationale Della Fotographia in Italy, where a permanent collection of her work is now held. Joy’s photographs have graced the covers of international publications and magazines such as Silver Shotz and Eyemazing. Her work has also been featured in B&W Magazine, Photolife, Zoom Magazine, Color and View Camera Magazine. joygoldkind.com
JON GOODMAN may be considered the catalyst in the modern revival of the photogravure process. He is a master printer of photogravure and a photographer. Goodman came to photogravure as a photographer and continues to make his own creative pictures with the camera. His landscape and still life prints have been exhibited nationally and internationally; outside of this country he has had one-person exhibitions in Scotland, France and Switzerland. His work has been collected by many museums, among them the Museum of Modern Art, the Metropolitan Museum of Art, the Museé de L’Elysée (Lausanne, Switzerland) and the Bibliothèque National (Paris). In 2005, Goodman published Photography in High Places: The Work of Bradford Washburn. This lavish portfolio printed in an edition of 100 (10 of which are limited Chine-collé) represents Goodman’s foray into the publishing marketplace.
MORGAN POST has been a large format wet plate photographer and educator for the past seven years. Post holds a MFA degree from Utah State University, a BFA degree from the School Of Visual Arts, and an Associates Degree from Maine Media Workshops. He has worked extensively as a fine art and commercial photographer & digital artist in both Los Angeles and New York. He is currently teaching at Long Island University Brooklyn, Center For Alternative Photography and Fairfield University. morganpoststudio.com
BRENTON HAMILTON Brenton Hamilton holds his MFA in photography from the Savannah College of Art & Design. He is the Certificate Program Director of photography at Maine Media College and for 18 years has lead summer workshops in Maine. Brenton’s own work is inspired by the 19th century and has become a principle area of research and inspiration both as a historian and a printmaker. Devoted to the cyanotype & gum bichromate, Brenton’s embellished images are exhibited nationally and he is represented by Susan Maasch Fine Art Gallery in Portland, Maine and TILT Gallery in Phoenix, AZ. brentonhamilton.net
MIKE ROBINSON is a artist-practitioner, teacher, conservator, and historian of the daguerreotype. He has researched and written on the studio practice of Southworth and Hawes for the Young America catalogue and for the Daguerreian Society annual. Mike teaches graduate and undergraduate courses in 19th Century Photographic Processes at Ryerson University in Toronto and a Phd candidate with DeMontfort University in Leicester, UK, and his dissertation is titled, The Techniques and Material Aesthetics of the Daguerreotype.
LIZ SALES is an artist, art-writer, and educator. Her background as a motion picture camera technician endorses her work, which deals primarily with the relationship between technology and perception. She is an editor at Conveyor Magazine and has published writing in Foam Magazine and Arc Magazine. She is a faculty and staff member at the International Center of Photography. Liz lives and works in Brooklyn, in a camera obscura.
ROBERT A. SCHAEFER, JR. has been working in fine art photography for over 40 years. His imagery has been greatly influenced by architecture with an MA Degree from the Technical University in Munich, Germany. Schaefer's gelatin silver and cyanotype prints have been exhibited and are part of major collections in the US and Europe. His expertise in photography is passed on to students at New York University, and in his workshops and lectures for Penumbra/CAP. schaeferphoto.com
RICHARD TURNBULL is a printmaker, book artist and experimental photographer. He is a professor in the History of Art Department at the Fashion Institute of Technology in New York and also a lecturer at the Metropolitan Museum of Art. His work is in numerous private collections in the U.S. and abroad.
CARL WEESE was born in 1949 and grew up in New Jersey. From 1972 to the present, Weese has worked as a freelance photo-illustrator for editorial and corporate clients. His personal photographs have been widely exhibited in group and one-person shows and he is represented by galleries in Massachusetts, Connecticut, Washington and Virginia. He is co-author of the 1998 book The New Platinum Print, an instruction manual on modern approaches to the classic platinum/palladium photographic printing process. carlweese.com
BRYAN WHITNEY is a fine art photographer currently teaching at the International Center for Photography in New York. His current work focuses on site specific installations and multi image pieces using a wide variety of alternative imaging techniques including x-rays, zone plates, stereoscopic imaging and 3d modeling. His passion for historic architecture and interiors has led to work for magazines and museums worldwide. Most recently he has created 3D images of 7th century BC Egyptian temples in north Sudan as part of a project sponsored by the Qatar Museums Authority. bryanwhitney.com